Terminus (mytologi)
Terminus var i romersk mytologi en gud som beskyddade gränser och råmärken och särskilt gränsmärket (en sten, en påle eller en pelare) symboliserades. Vid Terminus högtider dekorerades gränsstenarna med blommor. Även grisar och lamm offrades till stenarna. Enligt romersk lag avrättades den som flyttade på stenarna och den som plöjde bort gränsstenen, var fågelfri.
Källor
Den här artikeln är helt eller delvis baserad på material från Nordisk familjebok, Terminus, 1904–1926.
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Media som används på denna webbplats
Capitoline she-wolf Musei Capitolini MC1181.jpg
Lupa Capitolina: she-wolf with Romulus and Remus. Bronze, 13th century AD[1] (the twins are a 15th-century addition).
Lupa Capitolina: she-wolf with Romulus and Remus. Bronze, 13th century AD[1] (the twins are a 15th-century addition).
Design for a Stained Glass Window with Terminus, by Hans Holbein the Younger.jpg
Design for a Stained Glass Window with Terminus. Pen and ink and brush, grey wash, watercolour, over preliminary chalk drawing, 31.5 × 25 cm, Kunstmuseum Basel. Holbein designed the window for the scholar and theologian Desiderius Erasmus of Rotterdam, who lived in Basel at around the same time as the artist and commissioned portraits and other works from him. Erasmus gave the window itself to the university in Basel, where it was recorded in the 18th century as still in place. Often pictured as a bust on a boundary stone, Terminus was the Roman god of boundaries, endings, and death, whom Erasmus adopted as his emblem. Included in Holbein's design is Erasmus's motto concedo nulli (I concede to no one), taken from the myth of Terminus, who refused to concede his place on the Capitoline Hill to Jupiter. Holbein later incorporated the Terminus motif in a memorial woodcut after Erasmus's death (Müller, 342).
Design for a Stained Glass Window with Terminus. Pen and ink and brush, grey wash, watercolour, over preliminary chalk drawing, 31.5 × 25 cm, Kunstmuseum Basel. Holbein designed the window for the scholar and theologian Desiderius Erasmus of Rotterdam, who lived in Basel at around the same time as the artist and commissioned portraits and other works from him. Erasmus gave the window itself to the university in Basel, where it was recorded in the 18th century as still in place. Often pictured as a bust on a boundary stone, Terminus was the Roman god of boundaries, endings, and death, whom Erasmus adopted as his emblem. Included in Holbein's design is Erasmus's motto concedo nulli (I concede to no one), taken from the myth of Terminus, who refused to concede his place on the Capitoline Hill to Jupiter. Holbein later incorporated the Terminus motif in a memorial woodcut after Erasmus's death (Müller, 342).
