STS-77

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The STS-77 crew patch displays the Shuttle Endeavour in the lower left and its reflection within the tripod and concave parabolic mirror of the SPARTAN Inflatable Antenna Experiment (IAE). The center leg of the tripod also delineates the top of the Spacehab's shape, the rest of which is outlined in gold just inside the red perimeter. The Spacehab was carried in the payload bay and housed the Commercial Float Zone Furnace (CFZF). Also depicted within the confines of the IAE mirror are the mission's rendezvous operations with the Passive Aerodynamically-Stabilized Magnetically-Damped satellite (PAM/STU) appears as a bright six-pointed star-like reflection of the sun on the edge of the mirror with Endeavour in position to track it. The sunlight on the mirror's edge, which also appears as an orbital sunset, is located over Goddard Space Flight Center, the development facility for the SPARTAN/IAE and Technology Experiments Advancing Missions in Space (TEAMS) experiments. The reflection of the Earth is oriented to show the individual countries of the crew as well as the ocean which Captain Cook explored in the original Endeavour. The mission number 77 is featured as twin stylized chevrons and an orbiting satellite as adapted from NASA's logo. The stars at the top are arranged as seen in the northern sky in the vicinity of the constellation Ursa Minor. The field of 11 stars represents both the TEAMS cluster of experiments (the four antennae of GPS Attitude and Navigation Experiment (GANE), the single canister of Liquid Metal Thermal Experiment (LMTE), the three canisters of Vented Tank Resupply Experiment (VTRE), and the three canisters of PAM/STU) and the 11th flight of Endeavour. The constellation at the right shows the fourth flight of Spacehab Experiments.

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Författare/Upphovsman: Pascal (Flickr user: pasukaru76), Licens: CC0
Vostok spacecraft replica at the Technik Museum Speyer, Germany.

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The crew assigned to the STS-77 mission included (seated left to right) Curtis L. Brown, pilot; and John H. Casper, commander. Standing, left to right, are mission specialists Daniel W. Bursch, Mario Runco, Marc Garneau (CSA), and Andrew S. W. Thomas. Launched aboard the Space Shuttle Endeavour on May 19, 1996 at 6:30:00 am (EDT), the STS-77 mission carried three primary payloads; the SPACEHAB-4 pressurized research module, the Inflatable Antenna Experiment (IAE) mounted on a Spartan 207 free-flyer, and a suite of four technology demonstration experiments known as Technology Experiments for Advancing Missions in Space (TEAMS).

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The STS-78 patch links past with present to tell the story of its mission and science through a design imbued with the strength and vitality of the 2-dimensional art of North America's northwest coast Indians. Central to the design is the space Shuttle whose bold lines and curves evoke the Indian image for the eagle, a native American symbol of power and prestige as well as the national symbol of the United States. The wings of the Shuttle suggest the wings of the eagle whose feathers, indicative of peace and friendship in Indian tradition, are captured by the U forms, a characteristic feature of Northwest coast Indian art. The nose of the Shuttle is the strong downward curve of the eagle's beak, and the Shuttle's forward windows, the eagle's eyes, represented through the tapered S forms again typical of this Indian art form.

The basic black and red atoms orbiting the mission number recall the original NASA emblem while beneath, utilizing Indian ovoid forms, the major mission scientific experiment package LMS (Life and Materials Sciences) housed in the Shuttle's cargo bay is depicted in a manner reminiscent of totem-pole art. This image of a bird poised for flight, so common to Indian art, is counterpointed by an equally familiar Tsimshian Indian symbol, a pulsating sun with long hyperbolic rays, the symbol of life. Within each of these rays are now encased crystals, the products of this mission's 3 major, high-temperature materials processing furnaces. And as the sky in Indian lore is a lovely open country, home of the Sun Chief and accessible to travelers through a hole in the western horizon, so too, space is a vast and beckoning landscape for explorers launched beyond the horizon.

Beneath the Tsimshian sun, the colors of the earth limb are appropriately enclosed by a red border representing life to the Northwest coast Indians. The Indian colors of red, navy blue, white, and black pervade the STS-78 path. To the right of the Shuttle-eagle, the constellation Delphinus recalls the dolphin, friend of ancient sailors and, now perhaps too, of the 9 space voyagers suggested by this constellation's blaze of 9 stars. The patch simultaneously celebrates international unity fostered by the Olympic spirit of sports competition at the 1996 Olympic Games in Atlanta, Georgia, U.S.A. Deliberately poised over the city of Atlanta, the Space Shuttle glows at its base with the 5 official Olympic rings in the 5 Olympic colors which can also be found throughout the patch, rings and colors which signify the 5 continents of the earth. This is an international mission and for the first time in NASA patch history, astronauts have dispensed with identifying country flags beneath their names to celebrate the spirit of international unity so characteristic of this flight.

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STS-76 Mission Insignia

The STS-76 crew patch depicts the Space Shuttle Atlantis and Russia's Mir Space Station as the space ships prepare for a rendezvous and docking. The Spirit of 76, an era of new beginnings, is represented by the Space Shuttle rising through the circle of 13 stars in the Betsy Ross flag. STS-76 begins a new period of international cooperation in space exploration with the first Shuttle transport of a United States astronaut, Shannon W. Lucid, to the Mir Space Station for extended joint space research. Frontiers for future exploration are represented by stars and the planets. The three gold trails and the ring of stars in union form the astronaut logo. Two suited extravehicular activity (EVA) crew members in the outer ring represent the first EVA during Shuttle-Mir docked operations. The EVA objectives were to install science experiments on the Mir exterior and to develop procedures for future EVA's on the International Space Station. The surnames of the crew members encircle the patch: Kevin P. Chilton, mission commander; Richard A. Searfoss, pilot; Ronald M. Sega, Michael R. ( Rich) Clifford, Linda M. Godwin and Lucid, all mission specialists. This patch was designed by Brandon Clifford, age 12, and the crew members of STS-76.