Karl Brjullov
Karl Pavlovitj Brjullov, född 12 december 1799, död 11 juni 1852, var en rysk konstnär. Han var bror till arkitekten Alexander Brjullov.
Brjullov vann som historiemålare sin största berömmelse med sin 1830-1833 i Rom utförda jättemålning Pompejis undergång. Även efter sin återkomst till Ryssland ägnade han sig främst åt historisk konst men var nu mest verksam på genremåleriet, porträttets och det religiösa måleriets område. Brjullov fick stort inflytande över ryskt måleri genom sin lärarverksamhet.
Fotogalleri
Pompejis undergång
Batseba
Giovannina Pacini
U.M. Smirnova
Källor
- Svensk uppslagsbok. Malmö 1939.
Externa länkar
Wikimedia Commons har media som rör Karl Brjullov.- Karl Brjullov hos Europeana
.jpg)
|
Media som används på denna webbplats
Caspar David Friedrich - Wanderer above the sea of fog.jpg
The hiker stands as a back figure in the center of the composition. He looks down on an almost impenetrable sea of fog in the midst of a rocky landscape - a metaphor for life as an ominous journey into the unknown.
Brjullov dzhovaniny.jpg
Giovanina Pacini (the eldest daughter of the Italian composer Giovanni Pacini (1796-1867)
Giovanina Pacini (the eldest daughter of the Italian composer Giovanni Pacini (1796-1867)
Karl Brullov - The Last Day of Pompeii - Google Art Project.jpg
Briullov visited Pompeii in 1828 and made sketches depicting the AD 79 Vesuvius eruption. The painting received rapturous reviews at its exhibition in Rome and brought Briullov more acclaim than any other work during his lifetime. The first Russian artwork to cause such an interest abroad, it inspired an anthologic poem by Alexander Pushkin, and the novel The Last Days of Pompeii by Edward Bulwer-Lytton. It depicts a classical topic but exhibits characteristics of Romanticism as manifested in Russian art, including drama, realism tempered with idealism, interest in nature, and a fondness for historical subjects. A self portrait is in the upper left corner of the painting, under the steeple, but not easy to identify.
Briullov visited Pompeii in 1828 and made sketches depicting the AD 79 Vesuvius eruption. The painting received rapturous reviews at its exhibition in Rome and brought Briullov more acclaim than any other work during his lifetime. The first Russian artwork to cause such an interest abroad, it inspired an anthologic poem by Alexander Pushkin, and the novel The Last Days of Pompeii by Edward Bulwer-Lytton. It depicts a classical topic but exhibits characteristics of Romanticism as manifested in Russian art, including drama, realism tempered with idealism, interest in nature, and a fondness for historical subjects. A self portrait is in the upper left corner of the painting, under the steeple, but not easy to identify.