George Albert Smith (filmregissör)
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| George Albert Smith | |
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| Född | 4 januari 1864[1][2] London |
|---|---|
| Död | 17 maj 1959[1][2] (95 år) Brighton |
| Medborgare i | Storbritannien |
| Sysselsättning | Filmregissör, manusförfattare, uppfinnare, fotograf, filmproducent, filmfotograf |
| Redigera Wikidata | |
George Albert Smith, född 4 januari 1864 i London, död 17 maj 1959, var en brittisk filmregissör som var verksam då tidig film producerades. Bland annat har han regisserat filmen The Kiss in the Tunnel som är från 1899.
Källor
- ^ [a b] Bibliothèque nationale de France, BnF Catalogue général : öppen dataplattform, läs online, läst: 10 oktober 2015, licens: öppen licens.[källa från Wikidata]
- ^ [a b] Dalibor Brozović & Tomislav Ladan, Hrvatska enciklopedija, lexikografiska institutet Miroslav Krleža, 1999, ISBN 978-953-6036-31-8, George Albert Smith.[källa från Wikidata]
Media som används på denna webbplats
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Författare/Upphovsman: Tkgd2007, Licens: CC BY-SA 3.0
A new incarnation of Image:Question_book-3.svg, which was uploaded by user AzaToth. This file is available on the English version of Wikipedia under the filename en:Image:Question book-new.svg
Författare/Upphovsman: Tkgd2007, Licens: CC BY-SA 3.0
A new incarnation of Image:Question_book-3.svg, which was uploaded by user AzaToth. This file is available on the English version of Wikipedia under the filename en:Image:Question book-new.svg
George Albert Smith (1864-1959) (7996002281)-crop.jpg
Image from the National Media Museum Collection. It took place in Smith's office at Furze Hill, Hove (1900). On the desk, a film meseasurer. On the tripod, Smith's camera. Smith is credited with the first close-up, the division of a scene up into different shots (editing), and the POV shots. After the death of Edward Turner, Charles Urban turned to George Albert Smith to continue research on the project. A former stage hypnotist, Smith was one of the most important pioneers of British cinema. He began making films in 1897, establishing a ‘film factory’ in Hove. Smith’s films were distributed by the Warwick Trading Company and he also printed their films. Smith was critical of Turner’s projector, which he could not get to register the images. He abandoned work on the process in 1904 and turned instead to develop a two-colour process which he patented in 1906. This was launched with Urban in 1908 as Kinemacolor, the first commercially successful colour moving picture process. This would have been the end of the story had the roles of film not been rediscovered at the National Media Museum.
Image from the National Media Museum Collection. It took place in Smith's office at Furze Hill, Hove (1900). On the desk, a film meseasurer. On the tripod, Smith's camera. Smith is credited with the first close-up, the division of a scene up into different shots (editing), and the POV shots. After the death of Edward Turner, Charles Urban turned to George Albert Smith to continue research on the project. A former stage hypnotist, Smith was one of the most important pioneers of British cinema. He began making films in 1897, establishing a ‘film factory’ in Hove. Smith’s films were distributed by the Warwick Trading Company and he also printed their films. Smith was critical of Turner’s projector, which he could not get to register the images. He abandoned work on the process in 1904 and turned instead to develop a two-colour process which he patented in 1906. This was launched with Urban in 1908 as Kinemacolor, the first commercially successful colour moving picture process. This would have been the end of the story had the roles of film not been rediscovered at the National Media Museum.